Microphones

The Kelly SHU is a whole new approach to kick drum microphone mounting systems. Both internal and external installations of the system utilize the bass drum’s pre-existing hardware, which then becomes the framework for an integrated kick drum microphone shock mount and isolation support system.
The Kelly SHU provides your favorite standard kick drum microphone the More >

For kick drums and other bass instruments, nothing compares to the Shure Beta 91. The Beta 91 condenser cartridge combines superior “attack” and “punch” for studio quality sound – even at the extremely high sound pressure levels encountered inside a kick drum. Its boundary effect design produces a strong, solid low-end response that has been More >

The Electro-Voice RE20 Microphone is well-suited for recording and sound reinforcement applications. This Variable-D design dynamic cardioid microphone features a heavy-duty internal pop filter to reduce proximity effects, while an internal element shockmount reduces vibration-induced noise. Integral blast and wind filters cover each acoustic opening. Bass roll-off switch. 45Hz-18kHz frequency response.
Electro-Voice RE20 Dynamic Cardioid Microphone More >

The Heil PR 48 kick drum mic starts with Heil’s 1.5″ large diaphragm dynamic element sealed in a vulcanized shock mount and fed with a specially designed low-pass filter that creates a 10dB rise from 60Hz to 100Hz — right where the kick drum resonates. The drum microphone stays out to 7.5 kHz and drops More >

The Electro-Voice N/D868 kick drum microphone is truly a top performer in any application. Whether in a live sound or studio environment, the N/D868 is able to handle incredibly high sound pressure levels without distortion or overriding the input mixer. With a response specifically designed to “kick” the N/ D868 can be used as is-without More >

The Audio-Technica AE2500 kick drum mic has a dynamic element that delivers the aggressive attack of the beater while the condenser captures the round tonalities of the shell. The dual elements are positioned in a perfect phase relationship, which is practically unachievable with 2 separate microphones. Robust design provides enduring dependability on the road. The More >

The Sennheiser e 602 II is a cardioid instrument microphone especially suitable for use with bass drums, bass guitar cabinets, tubas, and other low-frequency instruments.
Sennheiser e 602 II Cardioid Instrument Microphone Features:

Rugged, lightweight aluminum body for stable positioning for use on long microphone boom arms
Lightweight, high-performance, voice coil construction
Fast transient response
Low frequency extension
Ideal for direct More >

The Yamaha Subkick Low-Frequency Capture Device pushes the envelope in acoustic drum design, while solving the dilemma of obtaining good live and recorded kick drum sounds with the introduction of the Subkick, a sub-frequency (below 100Hz) capture device designed for use with kick drums and floor toms as an alternative or supplement to a traditional More >

The Audix D6 low-frequency microphone will not disappoint anyone looking for a huge, clean, undistorted kick drum sound. The D6 is about twice the size of the normal D series microphone, and yet it is extremely easy to use and position. Utilizing the same low profile mounting clip as the D series mics, the D6 More >

The Shure Beta 52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and ‘punch’, and delivers studio quality sound even at extremely high sound pressure levels. The Beta 52A features a modified supercardioid pattern throughout its frequency range to More >